Video Clips Worth Watching: Wayne v. Marvin

 

 

The Man Who Shot Liberty Valance (1962), perhaps the greatest of Westerns, contains this gem of a scene with John Wayne, Lee Marvin, Jimmy Stewart, Strother Marvin, Lee Van Cleef and Woody Strode.  Marvin as Liberty Valance is the archetypal mercenary gunslinger, his days, and the days of his kind, about to come to an end.  Wayne as Tom Doniphon, rancher, is the obverse of Marvin, a man just as tough as Valance, if not tougher, but no bully.  However, his time is also closing.  Their destroyer?   The almost clown like figure of Ransom Stoddard, portrayed by Jimmy Stewart.  He knows nothing about guns, but he knows a lot about law, and law and civilization are fast coming to the range.  This is John Ford’s eulogy to the Old West, and to this type of Western. (more…)

February 8, 1915: Birth of a Nation Debuts in Los Angeles

The film Birth of a Nation, D.W. Griffith’s masterpiece, was  controversial at its release and remains so.  At three hours the film was a pioneering effort using then cutting age technology to produce a movie that stunned viewers by its cinematic quality.  Its viewers had seen nothing like it in film entertainment before.  At the same time the film, based on the pro-Ku Klux Klan novel the Clansman by Thomas Dixon, a friend of President Woodrow Wilson, drew outrage from Grand Army of the Republic Union Veterans and black groups with its depiction of the Klan as noble heroes attempting to fight against evil Unionists and its depiction of blacks as little better than beasts who walked erect.  Race riots broke out in cities where the film was shown.  President Wilson viewed the film in the White House and was reported to have said, “It is like writing history with lightning. And my only regret is that it is all so terribly true”.  The White House denied the remark, and in the wake of continuing protests, Wilson eventually condemned the “unfortunate production”.  The film used quotes from Wilson’s scholarly works to buttress its negative depiction of Reconstruction and its positive depiction of the Klan.  Considering the fact that Wilson imposed segregation on the Civil Service it is difficult to discern what he found to be “unfortunate” about the film.

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Published in: on February 8, 2017 at 5:30 am  Leave a Comment  
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Seven Days in May Redux

 

 

 

(I posted this at The American Catholic and I thought the film mavens of Almost Chosen People might enjoy it.)

 

 

 

What is it with liberals and coups?  Recently several liberals, including entertainer? Sarah Silverman, and Obama era Pentagon bureaucrat Sarah Brooks, have  been calling for/predicting a military coup against the Trump administration.  Such fools have no concept of our military where the officers are trained from day one of their careers in the essential fact of civilian control of the military.  If the impossible ever happened and some rogue faction of the military ever did move against Trump, the shots fired in such a coup attempt would merely be the opening shots in Civil War II.  Liberals have often fantasized about a conservative military coup against the government of the United States, perhaps most famously in the novel and film of the Sixties entitled Seven Days in May.  From current calls for a military coup emanating from the portside of our politics, such concerns about a conservative coup apparently were a case of the left projecting upon the right what the left would be tempted to do if confronted by a civilian government they viewed as a menace.

Hard to believe that it is more than half a century since the film Seven Days in May (1964) was released.  Directed by John Frankenheimer with a screenplay by Rod Serling based on a novel published in 1962, the movie posits a failed coup attempt in the United States, with the Chairman of the Joint Chiefs of Staff, Air Force General James Mattoon Scott, played by Burt Lancaster, being the would be coup leader.  Kirk Douglas plays Scott’s aide Marine Corps Colonel Martin Casey who, while agreeing with Scott that President Jordan Lyman’s nuclear disarmament treaty with the Soviets is a disaster, is appalled when he learns of the proposed coup, and discloses it to the President, portrayed by Frederic March.

The film is an example of liberal paranoia in the early sixties and fears on the port side of our politics of a coup by some “right wing” general.  The film is unintentionally hilarious if one has served in our military, since the idea of numerous generals agreeing on a coup and keeping it secret, even from their own aides, is simply ludicrous.  Our military leaks like a sieve, and general officers almost always view each other as competitors for political favor, rather than as co-conspirators.

Ironies abound when the film is compared to reality: (more…)

Published in: on February 7, 2017 at 5:30 am  Leave a Comment  
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We’re No Angels

What would Christmas be without Devil’s Island and escaped convicts?  This is probably a Christmas movie to avoid unless, like me, you are blessed\cursed with a quirky sense of humor.  On Christmas Eve 1895, three escaped convicts from Devil’s Island, portrayed by Humphrey Bogart, Peter Ustinov and Aldo Ray, fall in with a family who run a store.  Initially planning on robbing and murdering them, the convicts instead end up helping the family and by the conclusion of the film decide to return to prison to serve out their sentences.  Hearing the plot, I am sure you are aware that a fair amount of suspension of disbelief is required while watching the film.

The dialogue is witty and the performances are superb, especially that of Basil Rathbone who portrays the greedy and villainous Uncle of the family.  His greed proves his undoing as this scene relates:

 

 

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Published in: on December 22, 2016 at 5:30 am  Comments Off on We’re No Angels  
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Review of Hacksaw Ridge

Hast thou not known? Hast thou not heard,
that the everlasting God, the Lord,
the Creator of the ends of the earth,
fainteth not, neither is weary?
There is no searching of his understanding.
He giveth power to the faint;
and to them that have no might he increaseth strength.
Even the youths shall faint and be weary,
and the young men shall utterly fall:
but they that wait upon the Lord shall renew their strength;
they shall mount up with wings as eagles;
they shall run, and not be weary;
and they shall walk, and not faint.

Isaiah 40:28-31

I’ve been where you are now and I know just how you feel. It’s entirely natural that there should beat in the breast of every one of you a hope and desire that some day you can use the skill you have acquired here.
Suppress it! You don’t know the horrible aspects of war. I’ve been through two wars and I know. I’ve seen cities and homes in ashes. I’ve seen thousands of men lying on the ground, their dead faces looking up at the skies. I tell you, war is Hell!

William Tecumseh Sherman, address to the graduating class of the Michigan Military Academy (June 19, 1879)

 

My bride and I went to see Hacksaw Ridge last Saturday, Mel Gibson’s tribute to conscientious objector Desmond Doss who earned a Medal of Honor for heroism on Okinawa, and I was bowled over by it.  It wrenched more emotion from me than any film I have ever seen, except for Gibson’s Passion of the Christ.  My review is below the fold.  The usual caveat as to spoilers is in effect. (more…)

Published in: on November 21, 2016 at 5:30 am  Comments Off on Review of Hacksaw Ridge  
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J. Edgar Hoover in The FBI Story

The 1959 movie, The FBI Story, was a project near and dear to the heart of J. Edgar Hoover, founding director of the FBI, who ran it with an iron fist from 1935 until his death in 1972.  Based upon the best selling authorized history of the FBI, The FBI Story, Hoover wanted the FBI to be portrayed in heroic mode, with no controversial spots.  A squad of special agents supervised the film and everyone associated with the film, no matter how humble, had to be vetted by the FBI.   (more…)

Published in: on September 26, 2016 at 3:25 am  Comments Off on J. Edgar Hoover in The FBI Story  
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Sully: A Review

 

My bride and I last Saturday saw the movie Sully, Clint Eastwood’s take on airline Captain Chesley Sullenberger’s amazing landing of a distressed Airbus A320, US Airways Flight 1549, on the Hudson River on January 15, 2009, saving the lives of all 155 passengers and crew on board.  We both loved the picture and my review is below the fold.  The usual warning as to spoilers is in full force.  (more…)

Florence Foster Jenkins

One of the more curious cultural artifacts in the history of this country is the very odd musical career of Florence Foster Jenkins.  A rich heiress, she loved music.  She was a talented pianist in her youth but stopped taking lessons when she married in 1885 at age 18 Dr. Frank Thornton Jenkins.  The marriage was a rocky one, characterized by her contracting syphilis from him.  They parted after three years.  He passed away in 1917, but she retained her married name for the remainder of her life.  Moving to New York with her mother in 1900, she founded the Verdi Club in 1917, to share her love of music.  It was through this venue that she embarked upon her career as a singer, giving recitals to small groups of fans, with musical critics carefully excluded.  Jenkins was convinced she was a great singer.  In truth she was an an appallingly bad singer, with virtually no sense of rhythm or pitch.  She was a generous patron of various causes, most of them musical, and her audiences treated her with kindness, any titters being drowned by applause.

She would be forgotten today but for a memorable concert she gave for charity at Carnegie Hall on October 25, 1944.  The tickets for the event sold out immediately and about 2000 people were turned away the night of the performance.  Ticket prices were $20.00, the equivalent of $274.00 today.  (Privates in the US Army, with combat pay, earned $50.00 per month in 1944.)  Many celebrities attended.  As in her past outings, her fans covered over laughter during her performance with applause.  Alas music critics were among the crowd and their reviews were scathing.  She passed away a month and a day later of a heart attack.  She had been crushed by the bad reviews but, considering that she was in the tertiary stages of syphilis her death may well have had nothing to do with her reaction to the reviews.

Remarkably, in the past two years there have been two films about Jenkins, one in French and the other in English, Florence Foster Jenkins, starring Meryl Streep in the title role.  I saw this film last Saturday with my family and the Godmother of my children and my review is below the fold.  The usual caveat as to spoilers is in full effect. (more…)

Published in: on August 18, 2016 at 5:30 am  Comments Off on Florence Foster Jenkins  
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Review: Hillary’s America: The Secret History of the Democratic Party

 

(I posted this at The American Catholic and I thought the film mavens of Almost Chosen People might enjoy it.)

 

 

I went to see  Dinesh D’Souza’s Hillary’s America yesterday with with my bride and my son.  We all loved it.  My review is beneath the fold.  The usual caveat as to spoilers is in force. (more…)

Published in: on July 29, 2016 at 5:30 am  Comments Off on Review: Hillary’s America: The Secret History of the Democratic Party  
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John Wayne Films For the Fourth of July

 

This Fourth of July long weekend is made for a trip down American history courtesy of John Wayne films. Wayne was an American original. Thirty seven years after his death, in the annual Harris poll of favorite actors, he ranks number four overall, and number one among men voting. In his day he was never shy about declaring his love of country, and he did so when patriotism was fashionable and when it was unfashionable. An American icon, the deathbed convert to the Catholic Church is a symbol of this nation, instantly recognizable around the globe. Here are some of his films set in the history of this land.

 

 

 

 

  1. Allegheny Uprising (1939)-The film tells the true story of the Black Boys Rebellion against the British in 1765, with Wayne portraying James Smith the leader of this proto-American Revolution.

 

 

 

2. The Fighting Kentuckian (1949)-John Wayne costars with Oliver Hardy, yeah, that Oliver Hardy, in a tale of veterans of the War of 1812 helping French settlers battle land swindlers in Alabama. Very loosely based on actual events. In one scene Wayne explains that his family never had money due to his father’s health being ruined after he spent a winter at a place called Valley Forge.

 

 

 

 

 

 

3. The Alamo (1960)-The epic story of the battle for Texan Independence. Wayne’s love note to America and freedom.

 

 

 

 

 

 

 

4. The Barbarian and the Geisha (1958)-One of the more successful American diplomats of the Nineteenth Century, Townsend Harris, a native of New York City, became wealthy in the China trade in the early part of the century. He then turned to public service, serving as the President of the New York City Board of Education from 1846-1848. He founded the Free Academy of the City of New York, later renamed as the City College of New York, in order to provide college educations to low income people in New York.

In July 1856, Franklin Pierce named him the first American consul general to the Empire of Japan. He opened the first American consulate in Japan in the city of Shimoda. Overcoming enormous difficulties, in two years he negotiated what has become known as the Harris Treaty, which established full diplomatic and trade relations between Japan and the US.

On the hundredth anniversary of the treaty in 1958, John Wayne, in one of the oddest films of his career, starred as Townsend Harris in the film The Barbarian and the Geisha. Few men could have been more unlike John Wayne than Harris, and Wayne appears uncomfortable in the role of the diplomat to me. The film played up an alleged romance between Harris and Okichi, a 17 year old housekeeper, which has long been a tale told in Japan. Unfortunately, this aspect of the story is untrue. Harris fired Okichi after she worked for him for three days due to the fact that he considered her to be an incompetent housekeeper. However, the look of the film is splendid, even if the film is the usual Hollywood mix of lies and half-truths.

 

 

 

5. The Horse Soldiers (1959)-In 1959 John Ford and John Wayne, in the last of their “cavalry collaborations”, made The Horse Soldiers, a film based on Harold Sinclair’s novel of the same name published in 1956, which is a wonderful fictionalized account of Grierson’s Raid.

Perhaps the most daring and successful Union cavaly raid of the war, Colonel Benjamin Grierson, a former music teacher and band leader from Jacksonville, Illinois, who, after being bitten by a horse at a young age, hated horses, led from April 17-May 2, 1863 1700 Illinois and Iowa troopers through 600 miles of Confederate territory from southern Tennessee to the Union held Baton Rouge in Louisiana. Grierson and his men ripped up railroads, burned Confederate supplies and tied down many times their number of Confederate troops and succeeded in giving Grant a valuable diversion as he began his movement against Vicksburg.

John Wayne gives a fine, if surly, performance as Colonel Marlowe, the leader of the Union cavalry brigade. William Holden as a Union surgeon serves as a foil for Wayne. Constance Towers, as a captured Southern belle, supplies the obligatory Hollywood love interest.

Overall the film isn’t a bad treatment of the raid, and the period. I especially appreciated two scenes. John Wayne refers to his pre-war activities as “Before this present insanity” and Constance Towers gives the following impassioned speech:

Well, you Yankees and your holy principle about savin’ the Union. You’re plunderin’ pirates that’s what. Well, you think there’s no Confederate army where you’re goin’. You think our boys are asleep down here. Well, they’ll catch up to you and they’ll cut you to pieces you, you nameless, fatherless scum. I wish I could be there to see it.

Both scenes ring home with authenticity. Not a bad effort from the usual history manglers of Hollywood.(Although there are still errors enough, including Union soldiers worrying about being captured and sent to Andersonville prior to the POW camp being constructed by the Confederates in 1864.)

 

 

 

6. The Searchers (1956)-Set in Reconstruction Texas, John Wayne gives the performance of his career as embittered Confederate veteran Ethan Edwards and his vengeance ride against Comanches who slaughtered his family.

 

 

 

 

 

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Published in: on July 3, 2016 at 5:30 am  Comments Off on John Wayne Films For the Fourth of July  
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